Chloé Galibert-Laîné

Teaching and Event Organization

 

Teaching and Event Organization

 
 

Teaching curriculum

UMass Amherst (Boston, USA, 2022)

  • The Practices of Desktop Filmmaking

    Theoretical and practical workshop, 35 hours, BA level (hybrid class)

Universität Bern (Bern, Switzerland, 2022)

  • How Does Your Internet Feel?

    Theoretical and practical workshop, 35 hours, MA level

École des Beaux-Arts de Marseille (Marseille, France, 2021)

  • Suspending Networks

    Creative workshop, 35 hours, BA and MA level

CalArts (Los Angeles, United States, 2020)

  • Third Thoughts

    Creative workshop, 6 hours, BA and MA level (taught online)

Merz Akademie (Stuttgart, Germany, 2020)

  • Reclaim your desktop

    Creative workshop, 30 hours, BA level (taught online)

University of Applied Sciences and Arts (Luzern, Switzerland, 2020)

  • Online (Self-)Portraits

    Creative workshop, 56 hours, BA level (taught online)

Johannes Gutenberg University (Mainz, Germany, 2020)

  • Documenting the Internet. The Practice of Netnographic Cinema

    Theoretical and creative course, 28 hours, BA level

Royal Academy of Art (La Hague, Netherlands, 2019)

  • Desktop Documentary Lab (co-taught with Kevin B. Lee)

    Creative workshop, 35 hours, MA level

Université Paris 8 (Paris, France, 2017-2019)

  • A History of the Video Essay 1 & 2

    Theoretical and creative course, 36 hours, BA level (taught twice)

  • Film Studies Methodology 1 & 2

    Theoretical course, 36 hours, BA level (taught twice)

Event (co-)Organization

In the context of the “After Social Networks” research group (co-organized with Gala Hernandez Lopez and Allan Deneuville, see the group’s website):

  • “Images in Commons”, a conversation between filmmaker Jane Schoenbrun and researcher Eliza Steinbock (2021)

  • “Media Homes”, two online residencies with artists Claudio Beorchia and Jil Gielessen (2020 & 2021)

  • “Practices, aesthetics and ethics of an ecology of User-Generated Content”, full-day symposium at the Ecole Nationale Supérieure des Arts Décoratifs, followed by a public screening of a short film program + Q&A at the Ecole Nationale Supérieure des Beaux Arts de Paris (2019)

In the context of the “Performing Research” seminar at the Ecole normale supérieure de Paris (co-organized with Chloé Lavalette, infos available here):

  • “Face à l’image : zones intimes de la recherche”, two days workshop at the Studio-Théâtre de Vitry (2019)

  • “Performer la pensée avec L’Encyclopédie de la parole”, hybrid workshop (2019)

  • “Performer la pensée avec aalliicceelleessccaannnnee&ssoonniiaaddeerrzzyyppoollsskkii”, live performance (2018)

  • “Performer la pensée avec Daniel Cockburn”, screening and live performance (2018)

  • “Performer la pensée avec Chloé Déchery”, performance and workshop (2018)

  • “ORichissement”, performance by Frédérique Lecerf (2018

  • “Atelier d'écriture & contre-archives”, double workshop led by Marion Sénat & le Laboratoire de la contre-performance (2018)

  • “Performer la pensée avec Eric Duyckaert : du chercheur comme performeur”, conference (2018)

  • “Du témoignage à la coproduction des savoirs”, performance by Valérie Pihet (from the Dingdingdong collective) (2018)

  • “Performer la pensée avec Laurent Pichaud”, creative workshop (2018)

  • “vousavezditpsychopédagogieperceptive?”, collaborative workshop led by Claire Bluteau (2018)

  • “Performer la pensée avec Louise Hervé et Chloé Maillet”, performance and masterclass (2018)

  • “Désirs, déchets, projets !”, collaborative workshop led by Chloé Lavalette (2018)

  • “Performer la pensée avec Arthur Eskenazi”, performance and workshop (2017)

  • “Performer la pensée avec Pauline Le Boulba”, live performance (2017)

In the context of the “Digital tools for visual research” seminar at the Ecole normale supérieure de Paris (all events took place in 2015-2016, infos available here):

  • “Reconstitution de l’environnement de « L’enseigne de Gersaint » en images de synthèse”, invited talk by Sophie Raux

  • “Le storyboard en prose : un outil pour l’annotation et la génération de films”, invited talk by Rémi Ronfard

  • “Annotation collaborative et interaction avec les publics”, invited talk by Vincent Puig & Mathias Blanc

  • “Construire et décrire un corpus d’images”, invited talk by Patrick Peccatte

  • “Le cinéma et la « direction de spectateur » : enjeux esthétiques de l’oculométrie”, invited talk by Dork Zabunyan

  • “Traitement d’images et média visualisation”, invited talk by Everardo Reyes

Other events:

  • “Post-Cinema and The Future of Digital Images”, Panel with Dork Zabunyan & Kevin B. Lee at the Ecole normale supérieure, 2017

  • Atelier d’exploration du cinéma contemporain (8 sessions co-organized with Claire Allouche, 2015-2016)